Tag Archives: Nat “King” Cole

Nostalgia For a Lost Love

The Beatles’ 1965 song Yesterday may be the most recorded song according to The Guinness World Records, but Autumn Leaves has to rank up there pretty high, as evidenced by the number of recordings in this post. And these recordings are just the tip of the proverbial iceberg.

Originally, Autumn Leaves was a 1945 French song entitled Les Feuilles Mortes (literally “The Dead Leaves”) with music by Hungarian-French composer Joseph Kosma and lyrics by French surrealist poet Jacques Prévert. The Hungarian title is Hulló levelek (“Falling Leaves”).

Movie poster for the film Les Portes de la Nuit

Movie poster for the film Les Portes de la Nuit

The Italian born, French singing idol Yves Montand introduced the song in the 1946 film Les Portes de la Nuit, a gloomy urban drama set in post World War II Paris. Scriptwriter and poet Jacques Prevért and director Marcel Carné had been responsible for a string of films spawning the French “poetic realism,” a genre upon that the American film noir movement was based. Although Les Portes de la Nuit was a commercial failure, it fared much better when released in the United States several years later under the title Gates of the Night.

As the 1940’s waned, so too did the public’s appetite for the Tin Pan Alley style ballad. With decreasing demand for his sophisticated talents, lyricist Johnny Mercer found himself penning words for instrumentals. In the case of Les Feuilles Mortes, Mercer would not have thought twice about renaming what was literally “The Dead Leaves” to “Autumn Leaves.” “The Dead Leaves” may have been an appropriate song title for the somber Les Portes de la Nuit, but it would not do for an American popular song.

Initially the public showed little interest in Autumn Leaves. Jo Stafford was among the first to perform the Mercer version. Autumn Leaves became a pop standard and a jazz standard in both in French and English, both as an instrumental and as a vocal number. There is also a Japanese version called Kareha sung by none other than Nat “King” Cole!

On December 24, 1950, French singer Edith Piaf sang both French and English versions of the song on the radio program The Big Show, hosted by Tallulah Bankhead. The Melachrino Strings recorded an instrumental version of the song in London in August, 1950.

In 1955, however, all that changed. Pianist Roger Williams recorded a million-seller, number-one hit rendition of the song that stayed on the Billboard charts for six months. Williams’ recording is the only piano instrumental to ever reach the number one position on the Billboard chart. Williams’ success opened the door for a second spate of covers by Steve Allen, Mitch Miller, Jackie Gleason, Victor Young, and the Ray Charles Singers. All of these versions charted on Billboard’s chart. These covers would be followed by hundreds of renditions in subsequent decades.

In 1956, Columbia Pictures produced a film entitled Autumn Leaves starring Joan Crawford and Cliff Robertson. It is a generally well-reviewed tale of a spinster marrying a young man who has mental problems as a result of his ex-wife’s (Vera Miles) affair with his father (Lorne Green). Nat King Cole once again sang the song (this time in English) during the credits.

Frank Sinatra included a version of the song on his 1956 album Where Are You? Andy Williams released a version of the song on his 1959 album, Lonely Street. Raquel Bitton recorded a version in 2000 that appears on her album Raquel Bitton sings Edith Piaf. Jerry Lee Lewis released a version that is a real surprise. This version is from the unissued Caribou sessions from 1980, produced by Eddie Kilroy while Jerry Lee Lewis was with Elektra. Around forty tracks were taped at the Caribou ranch in Colorado in November and overdubs were made in 1981 and 1982, but no tracks were officially released. Listen to it and see what I mean.

In 1962, Serge Gainsbourg wrote a song entitled La Chanson de Prevert. This is a song about a song, for it is about Les Feuilles Mortes and how its power to revive memories kept dead loves alive. References to Verlaine’s Chanson d’Automne hint at its relation to classical French literature.

Greek-Cypriot recording artist Alexia Vassiliou recorded the song for her first 1996 album, In a Jazz Mood. The song also appears on Iggy Pop’s 2009 album Préliminaires as the opening track. A version by Eva Cassidy is one of the highlights of her seminal live album Live at Blues Alley (1996). The Electronic duo Coldcut recorded a cover of the song for their 1993 album Philosophy, featuring guest vocalist Janis Alexander on vocals.

And finally in the Pop field, British blues/rock guitarist Eric Clapton recorded a cover of Autumn Leaves in 2010.

In the jazz genre, this tune took almost ten years to catch on as a jazz number, and 1957 saw three excellent recordings. There were versions by Coleman Hawkins, Dizzy Gillespie and Duke Ellington.

The Ellington version, taken at a very slow tempo, and featuring Ray Nance on violin is a delight. Nance’s violin playing represented almost the total opposite of his trumpet playing, and he is at his soulful best on Autumn Leaves, where he plays an exquisite, emotional solo; he then fills along with vocalist Ozzie Bailey. The album, Ellington Indigos, offered a different, more sentimental side of the Ellington ensemble and has rarely been out-of-print since it was released.

Singer/pianist Patricia Barber mesmerizes with her version of Autumn Leaves. With her rendition, the song is refurbished with a torch singer’s touch.

The 1958 Cannonball Adderley recording of Autumn Leaves has inspired generations of jazz players. The arrangement, commonly credited to Miles Davis (who is also featured on trumpet here) actually comes mostly from Ahmad Jamal. Nonetheless, this is a recording that really caught on. The following year, Bill Evans made his recorded debut with his groundbreaking trio alongside bassist Scott LaFaro and drummer Paul Motian. Their version of Autumn Leaves is comparably influential to the Adderley version and offers an essential look at the interplay of these three musicians.

Finally, Autumn Leaves has been included in at least these films: Les Portes de la Nuit (1946, Yves Montand), Autumn Leaves (1956, Nat King Cole), Hey Boy! Hey Girl! (1959, Keely Smith), Addicted to Love (1997, Stephane Grappelli), Midnight In The Garden Of Good And Evil (1997, Paula Cole), and Sidewalks of New York (2001, Stan Getz)

Autumn Leaves [Les Feuilles Mortes]
Music: Joseph Kosma
French Lyrics: Jacques Prévert
English Lyrics: Johnny Mercer

The falling leaves drift by the window
The autumn leaves of red and gold
I see your lips, the summer kisses
The sun-burned hands I used to hold

Since you went away the days grow long
And soon I’ll hear old winter’s song
But I miss you most of all my darling
When autumn leaves start to fall

C’est une chanson, qui nous ressemble
Toi tu m’aimais et je t’aimais
Nous vivions tous, les deux ensemble
Toi que m’aimais moi qui t’aimais
Mais la vie sépare ceux qui s’aiment
Tout doucement sans faire de bruit
Et la mer efface sur le sable les pas des amants désunis


Roger Williams
Steve Allen/George Gates
Mitch Miller
Jackie Gleason
Victor Young
Ray Charles Singers

Jo Stafford
Nat King Cole [Japanese Version]
Edith Piaf
The Melachrino Strings
Serge Gainsbourg: La Chanson de Prévert
Frank Sinatra
Andy Williams
Raquel Bitton
Jerry Lee Lewis
Alexia Vassiliou
Iggy Pop
Eva Cassidy
Coldcut [Janis Alexander, vocals]
Eric Clapton

Cannonball Adderley
Bill Evans Trio
Coleman Hawkins
Dizzy Gillespie
Duke Ellington
Patricia Barber

Yves Montand Les Portes de la Nuit (1946)
Nat King Cole Autumn Leaves (1956)
Keely Smith Hey Boy! Hey Girl! (1959)
Stephane Grappelli Addicted to Love (1997)
Paula Cole Midnight In The Garden Of Good And Evil (1997)
Stan Getz Sidewalks of New York (2001)


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The Beginning of the End

US Army troops wade ashore on Omaha Beach on the morning of 6 June 1944

US Army troops wade ashore on Omaha Beach on the morning of 6 June 1944

Today is the seventieth anniversary of the Normandy landings during World War Two, also known more familiarly as D-Day. In planning, D-Day was the term used for the day of actual landing, which was dependent on final approval.

On June 6, 1944, 160,000 Allied troops landed along a fifty-mile stretch of heavily-fortified French coastline to fight Nazi Germany on the beaches of Normandy, France. General Dwight D. Eisenhower, commander of Supreme Headquarters Allied Expeditionary Force (SHAEF) called the operation a crusade in which “we will accept nothing less than full victory.” (I have included General Eisenhower’s messages to the troops on D-Day and to the peoples of Western Europe.)

General Eisenhower’s message to the troops
General Eisenhower’s message to the peoples of Western Europe

The assault was conducted in two phases: first, an airborne assault landing of 24,000 British, American, Canadian and Free French airborne troops shortly after midnight, and second, an amphibious landing of Allied infantry and armored divisions on the coast of France, commencing at 6:30 AM. There were also decoy operations mounted under the codenames “Operation Glimmer” and “Operation Taxable” to distract the German forces from the real landing areas. The landings took place along a fifty-mile stretch of the Normandy coast divided into five sectors: Utah, Omaha, Gold, Juno and Sword.

More than 5,000 ships and 13,000 aircraft supported the D-Day invasion, and by day’s end on June 6, the Allies gained a foot-hold in Normandy. The D-Day cost was high, however. More than 9,000 Allied soldiers were killed or wounded – but more than 100,000 soldiers began the march across Europe to defeat Adolph Hitler and the war machine of Germany. Though the outcome was by no means a certainty on 6 June 1944, the invasion on D-Day was the beginning of the end for Nazi Germany.

Since this is a music blog and not a history blog, I began a search to see if there were any songs written about this fateful day. I was able to find a single song written about the event, aptly named D-Day and it was sung by Nat “King” Cole, with the Cole Trio backing him.

Somehow, Cole not only finds a way to make D-Day sound like some hep-cat singing “dee-day,” but also gets across the message of being circumspect and patriotic. In fact, if one strips out the lyrics or ignores the message, what is left is a snappy little swinging jazz number that is both tidy and economic.

It is difficult to believe that this song was about something as brutal as the counterstrike into Europe, seen so graphically portrayed in the opening sequences of Saving Private Ryan.

Nat King Cole with the Nat King Cole Trio

You better grab a chair and sit down, Gate, you’re
Gonna hear some news of a military nature.
Relax, while I give you the latest report, sport.

There never was a finer sight
When all our boys were fixed to fight
On D-Day, D-Day, D-Day, D-Day.

We hope they’ll soon be comin’ back;
For now, they’re on a silent track
Till D-Day, D-Day, D-Day, D-Day.

It’ll take more than a weekend,
So let’s be patient and calm.
Cut out that public speakin’,
Or we’ll be the victim of a false alarm.

We got to help – we’re in it, too,
So buy those bonds, and I do mean you,
For D-Day, D-Day, D-Day, D-Day.

D-Day, D-Day, D-Day, D-Day.
D-Day, D-Day, D-Day, D-Day.

It’ll take more than a weekend,
So let’s be patient and calm.
Cut out that public speakin’,
Or we’ll be the victim of a false alarm.

We got to help – we’re in it, too,
So buy those bonds, and I do mean you,
For D-Day, D-Day, D-Day, D-Day.

D-Day, D-Day, D-Day, D-Day.


Nat “King” Cole


Theme from The Longest Day (The D-Day events are told both from the Allied and the German side.)
Theme from Band of Brothers (The film traces a fictional Easy Company of the US Army 101st Airborne division and their mission in World War Two Europe from Operation Overlord (Normandy Landing) through V-J Day.)
Theme from Saving Private Ryan (Soon after the D-day, a small unit of US soldiers are sent on a mission to retrieve Pvt. James Ryan whose four brothers were killed in action.)
Theme from The Big Red One (From North Africa, Sicily, and then on to Omaha Beach at the start of the Battle of Normandy, a sergeant and his men are sent from one battle to another over and over.)
Red Ball Express (The Red Ball Express convoys supply Allied forces after the Normandy Landings on D-Day.)
Theme from Where Eagles Dare (An American general is captured by the Nazis before the Normandy invasion. Fearing he will spill the beans, the British lead a mission to rescue the general before he is forced to reveal the D-Day plans.)

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